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May 18, 2011
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:iconslavche:
Please check out the video presentation: [link]

The full story on:
CarBodyDesign: [link]

CarDesign.ru: [link]


Mercedes-Benz Aria is a vision of the luxurious mobility of 2030.
Even though electric powered, it still carries the qualities of a car which fascinate people: sleek silhouette, dynamic proportions, sexy sculpture.
Due to its modern appeal it’s a car to go to a disco club in New York in, flamboyant enough for Monaco and Dubai and yet sophisticated, elegant and authentic for a Concours d’Elegance.

Themes
I tended to do a car that has a timeless beauty, instead of being a fashionable design peace. So I asked myself, what body, which product has this quality? – Musical instruments.
The piano for example, when it’s closed it looks elegant, classy, noble. It lives from its proportions and the surface finish. When open, one sees the keyboard, the strings etc. which put the product to another level. Despite their basic function, these elements give the object another, aesthetical quality. They give richness to it, they surprise the viewer. The same happens with the Aria. When you see the car on first glance you read the oblong form. You see a sculpture inspired by woman’s body, violin, Coke-Bottle; supported by tensioned and articulated lines which give the car definition and character.
On second view you discover the aero pins which define the tail volume; you discover the attention to details on the wheels, the interior and so on.

The main inspiration for the exterior is the flying hair. Something very likeable, spontaneous and elegant. Beautiful long hair formed by the wind-is there something more aerodynamical?

For the design concept to be something special, it needs an X-factor. It needs a different dimension. Something unusual, provocative, impossible, maybe even bizarre. Therefore I continued my research in the world of fashion and modern architecture.

Front
The front of the car should represent its character. It should look concentrated on the road and be serious. That’s why Alexander’s helmet is being used as reference. It is a symbol of power, leadership and has also protective aesthetics. At the same time the traditional Mercedes-Benz grille is being subtly indicated.
The vehicle has wheel hub electric engines, so the air intakes are positioned on the sides instead of the center. The volumes around are dictated by the aerodynamics. The arrow like traditional Benz nose is still there to change the direction of the air. The fascia form ensemble is being supported by two shovel-formed blades which again divide the air and channel it to the E-engines and brakes respectively.

Side
When you see the car in sideview, you read the sleek trapezoid shape. Very stretched body, with very low greenhouse. The roofline is coupe-like and is subjunctively integrated in the body, for a better flow appearance. The character line is positioned very low and is a quotation of the Mercedes 500K Specialroadster. It supports the car’s stylish appearance and by being analog to the roofline it also makes the car homogen and stresses the flow and the dynamic. The belt line is typically drop shaped, which again speaks about the aerodynamic efficiency of the car and gives it status and elegance. The front half of the shoulder edge has the opposite direction to give the car push-forward effect.

Surface management
The crisp character lines, in contrast, are connected by rather soft and mainly positive surfaces which show the car’s muscles. The surfaces articulate the reflections to achieve dynamism also in the surface itself by avoiding too many creases and showing an interesting play of light and shadow. The radii and the direction changes on the surfaces are similar to those of a silk dress, which again speaks about the elegant appearance of the Aria.


Wheels
The wheels represent the electric drivetrain. It has a five-spoke configuration, but these are melted into a nice sculpture, as reference to the form language of the exterior. It has big depth which support the stance of the car. The volume is segmented to give the rim an electric feeling, to express the craft precision and to reduce weight. The wheel is secured by copper wires, which also optically support the electrical character as copper wires are used in the electric engine itself as working elements.
The Mercedes-Benz logo is pulled outside and has a floating impression. It is static when the car moves.
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:iconmerklerdesigns:
This look awesome! :jawdrop:
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:iconiialau:
~iialau May 18, 2012  Student
lovely concept, but in my opinion the lines on the side view are a bit chaotic maybe try to unify it and clean it up a bit (especially the side windows), to me Mercedes is about presence and luxury (well their older cars at least) maybe try to give it a slightly muscular look rather than extremely slick, try to find a balancing point between the two and i'm sure it'll turn out great! Keep up the good work!
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:icondannychhang:
Wow, I love the way the doors open!
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:iconjen10a:
~jen10a Oct 30, 2011  Professional Digital Artist
This is amazing work, I am so jealous!
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:iconstlk:
!stlk Aug 21, 2011  Hobbyist General Artist
Bloody awesome!!! Love it <3
Reply
:iconarash-the-fist:
~ARASH-THE-FIST Jul 28, 2011  Hobbyist Interface Designer
I KNOW YOU WHEN I WAS 17,I READ SOME THING ABOUT YOU,SOME ARTICLE ABOUT LAMBORGHINI MADURA I LOVE THAT CONCEPT,I LOVE YOUR DESIGNES.MORE THAN CHRIS BANGLE, WHITH HIM GINA.I HAVE SOME CONCEPTS:LIKE LAMBORGHINI FROCCIO,MERCEDES-BENZ CAPTILITY.PLESURE TO MEET YOU SLAVCHE.I HOPE TO SEE YOU SOME DAY,AND WORK WITH YOU.
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:iconghoztonyx:
AND the Oscar goes to SLAVCHE THE DREAMDESIGNER !!! I think you must really meets James Cameron (for Avatar 2&3 Vehiclesdesign),Steven Spielberg (for nearly Futurecardesigns like Minority Report 2), George Lucas (for Starwars 7), Michael Bay (for Transformers 4 The Phantomzone) and Christopher Nolan (for Dark Knight Rises da da da dat da da Batmobil)
If they dont not interested talk with this Regisseurs !!!I think this is your next Step shur
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:iconart-lalinea:
~ART-LALINEA Jun 7, 2011  Professional
Fantastic Mercedes-Benz Aria like as Toše Proeski & Gianna Nannini - Aria ,
Fantasticna ideja a i odlicno izvedeno
Regards
Reply
:iconheath28m:
~heath28m May 22, 2011   Artist
Very elegant.. the only thing I am unsure of in the design is the final effect of the 'hair' in the rear of the car.. It would seem that the formation of tubes in the back sort of was out of sorts with me .. personally...

Seemed like it needed to finish off by having the structure ( of the tube ) drop down instead almost like an old 57 Chevy fin would do in the back..

I love the presentation music.. I first seen this about 4 days ago.. on a website I frequent everyday.. beautiful car.. would be nice to see it stance in the real..and impact in comparison to others.
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:icondeserker:
~DeserkeR May 22, 2011  Student Interface Designer
I saw the video yesterday on TrendsNow.com and I was stunned! It is such a gracious concept, an example to follow for other designers.

By the way, it must have been such a pain in the a** to model the wheels and the rear end in Alias (if that's the software you used). Congrats for your patience, the outcome is amazing Slavche!
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